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Vanity Fair: Olga on Opulence

VANITY FAIR – Asked which of two famous jewellery scenes she would choose to act out, Olga Kurylenko, the Ukrainian-French actress of Quantum of Solace fame, has no doubts. When the options are Kate Winslet’s Rose in Titanic wearing nothing but the famous Heart of the Ocean blue diamond while Leonardo DiCaprio’s Jack sketched her, or Julia Roberts’ Vivian yelping as Richard Gere’s Edward jokingly snapped a jewellery box at her hand in Pretty Woman, it would definitely be the latter. “I’m a huge fan of both actresses,” Kurylenko told us. “But I would have preferred to play the Julia Roberts part because it’s more fun and it’s more me. She is just so fresh and full of joy but at the same time a little clumsy. I love that.”

Kurylenko, who we’ll see next as Agent Ophelia in Johnny English Strikes Again (out October 5), and in Terry Gilliam’s long-awaited comedy The Man Who Killed Don Quixote (release date as yet unconfirmed) is anything but clumsy in real life. She’s effortlessly elegant, even when having her earlobes weighed down with enormous rocks, including one pair that required its own support system for fear of tearing straight through her skin. “Red-carpet jewellery is very important to me,” she reveals. “As it either completes the look, if chosen right, or totally spoils it if it doesn’t go with the whole outfit. It also usually adds a lovely sparkle to everything—the right earrings, for example, can really light up the face.”

And if she wasn’t an actress? “I would have loved to have been a doctor. I’m fascinated by medicine.” But acting it is, as she has just finished filming French thriller Springwell (“One of the most fun films to shoot!”) and is now preparing to shoot The Bay of Silence “and after that, a French film which I can’t reveal yet!” Busy busy, but not so much that she couldn’t fit in a full day shooting our cover story for this issue before going straight from a North London studio to Cannes for the film festival—where, needless to say, she lit up the red carpet.

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